Saturday, September 30, 2006
Friday, September 29, 2006
GOP News
Of course it seems that the main problem is that they were male pages. Poor closeted republicans.
By the way...
Insubstantiality
I think it's an interesting essay and I am still formulating my response to it, but I don't agree with it in many ways. At the least with its way of arguing, since it would be hard to disagree with at least some of Susie Linfield's conclusions that
It is precisely because these photos are so confusing—such utter failures at providing answers—that they are so valuable: by refusing to tell us what to feel, and allowing us to feel things we don’t quite understand, they make us dig, and even think, a little deeper. In approaching photos such as these, the point is not to formally disassemble them in the hope of gaining mastery; nor to reject them as feeble, partial truths; nor to deny the uncomfortable, unfamiliar reactions they elicit. Instead, we can use the photos’ ambiguities as a starting point of discovery, a tool with which to delve into the larger historic realities at which the images can only hint. By connecting these photographs to the world outside their frames, they begin to live, to breathe, more fully; otherwise they simply devolve into spectacles.This argument is not all that controversial. The rest of her article, however, addresses photography critics who appear to hate photography or at least approach it with extreme distrust and without any of the pleasure with which critics of other mediums approach their sources. Linfield argues that, like Pauline Kael for film for example, photography critics should engage photography with all of their senses, using their critical faculties to examine their emotional responses. I don't necessarily disagree that it shouldn't happen in that fashion, I disagree that it hasn't been happening.
I think that the critics that she quotes write sometimes about photography with seeming vitriol precisely because they don't want photography to become a static document, a harbringer of some reality. The critics were reacting to the early perception of photography as a strictly documentary medium, one which conveys exactly what it means to. And because photography is a more recent development, which Linfield does point out, the struggle with presentation / representation etc. took place more visibly to us. I also don't think that it hasn't been an issue with film, or with the other arts that she mentions actually, but the audience approached film as a medium for fiction much faster than they did photography.
As far as Linfield's method of arguing goes, I'll provide a couple of examples. She begins the essay with a description of positive critical approaches, including film. But when later she gives reasons for the critical antipathy toward photography, one of the most significant is its base in technology and modern man. A statement that is surely true even more for film.
Also, consider this passage:
There is much that is bracing, and revelatory, and so wonderfully challenging about Brecht’s emotional astringency. Who can not admire a man who, in one of his very first poems, announces to the women in his life, “Here you have someone on whom you can’t rely.” What is often forgotten, however, is that Brecht—like Moses—was a particular man who lived in a particular time and place and who observed particular things."a particular man who lived in a particular time and place and who observed particular things" that is fairly vague, but what gets me is the drop in "like Moses." I mean, what? I suppose one could follow the analogy - Brecht, like Moses with the Jews, wanted to lead the German people from the oppression of growing ideology - but it is so strained and so awkwardly placed that it immediately destroyed any semblance of a coherent flow to the argument.
This is not a substantive critique, I am aware, way too vague and lacking examples. I don't really have time right now to look for some. But I want to develop this further, so I might post something else, or edit this as the day wears on.
Comments are welcome.
Thursday, September 28, 2006
Oops
Tuesday, September 26, 2006
Vacation
I have to say I am really liking Studio 60 on the Sunset Strip as of now. I also watched Heroes, the new superhero show on NBC and though the premise is interesting, the execution is sometimes painfully bad. The surmonizing that most of the characters do at some point is annoying as well as cliche and often wrong. The episode begins with a teacher lecturing the students about evolution and how the cockroach is more advanced because it can survive more... I mean come on! I'll give it another chance but it better step things up.
Monday, September 25, 2006
Cartooning around.
Recently, Michael Kupperman started releasing his inspired stupidity in a series of comics called "Tales Designed to Thrizzle." I have #1 and #2 and I'll post some selections whenever I feel like it.
Here's one now. Enjoy. (click for largeness.)
Sunday, September 24, 2006
Saturday, September 23, 2006
Friday, September 22, 2006
This Weekend
We should participate in this specifically: www.cruelgame.com. Registration is still open and it looke like lots of. It's tomorrow at noon in the 48th - 58th area of Broadway.
Call me if you think you'll be awake. Not sure if I'll make it, but I want to be motivated.
Say wha?
Beck - The Information
Thursday, September 21, 2006
Picture
I tried to post a picture from my friend's art site yesterday, but instead just got the gray box. I kind of like it though, think I am going to keep it.
Chicago
If anyone is going to be in the Chicago area from the 13th to the 15th of October, let me know. I think I am going out there to check out the art show my friend curated.
Wednesday, September 20, 2006
Tuesday, September 19, 2006
New Discovery
Here's one:
Guess the Plot
The Shrimp that Sleeps
1. A book created entirely by matching random nouns with random verbs, and a few articles, prepositions, and conjunctions. Also, a vampire.
2. An ancient evil lurks beneath the mighty deep. Almost as feared as the Kraken, more terrifying than the Loch Ness Monster, it is . . . The Shrimp That Sleeps.
3. A scathing expose of the seafood industry, proving that not everything is as fresh as the consumer would like.
4. Mati is forced to decide whether or not to become a lady of the evening, like the proverbial sleeping shrimp.
5. Okay, Morty Wansch was small for his age, but Mr. Mullally's nickname for him in fourth period civics class was just mean. And when he wakes up, he's determined to get even.
6. A cabal of sinister mages predicts the future by reading malignant omens in restaurant leavings.
Monday, September 18, 2006
Sunday, September 17, 2006
Saturday, September 16, 2006
Friday, September 15, 2006
More about poetry
I have a few suspicions as to why, but funny nonetheless.
Achewood reference
"An Asian dude can flavor up a noodle ten ways from Sunday in the time it takes an Italian dude to find his pants and wish he had a Lamborghini."
From Roast Beef's blog.
Thursday, September 14, 2006
Learn something new.
Wednesday, September 13, 2006
Poetry
This is a poem by Eric Gelsinger from http://mtdmagazine.tripod.com/
Though I don't drink that much coffee I think I can relate.
Vibrations
I have put so much coffee into my body I have lost my emotions.
Coffee makes me lie: I do have one emotion
It is called too much coffee.
The coffee wears off very fast
Because I drink so much of it: I have a second emotion
It is called I have to pee
It is a very strong emotion
I am like King Lear
I have a strong emotion
I am like Oedipus
I do not gouge out my eyes. I have to pee.
They live in the old days. Not me.
Oedipus never pees
King Lear does not pee
Because they are from that time
They are not real
I am real
I am emotional
I need a glass of water
This is also a strong emotion.
I will drink water and pee at the same time.
The coffee is wearing off even more
I have new emotions.
They care called txt msgs.
Txt msgs are a major way to do emotions
Txt msgs are better than faces or voices for emotions
I get txt msgs
But they are all from the same person
My pocket vibrates hopelessly
Like the old days.
Knife
Masamoto Yanagi
A knife for almost $3,000, and if you want it done left handed, it will be 5,000. I guess they have to grind it in the other direction, but seems like a lot. Which of course means I want it.
I've actually been thinking about getting some nice knives, just one or two multipurpose ones that will last me a while. Have my eye on either the Kershaw Shuns or the Globals. I guess that also means that I should also learn how to sharpen them properly.
Tuesday, September 12, 2006
The New Yorker
On the lighter side, there is also a new essay by David Sedaris involving more funny cultural and language barrier hijinx that happened in France.
Enjoyment
(click to see in readable size.)
It comes from this great collection.
Monday, September 11, 2006
I constantly mistype...
Sunday, September 10, 2006
Try again
Saturday, September 09, 2006
I know you'll want this.
Of Montreal - Hissing Fauna, Are You the Destroyer?
Word.
Friday, September 08, 2006
Ugh
Damn, I can't believe that Jewgle.com is already a site. I thought it was going to be my next big thing. There is also Jewster.com. But no Jewspace.com! I need to have it!
Thursday, September 07, 2006
Work
I hate it when I actually have so much stuff to do at work that I can't even properly update my blog. Ridiculous.
Wednesday, September 06, 2006
TV related
What's happening
Excellent.
Tuesday, September 05, 2006
Trivia
Monday, September 04, 2006
Finally!
Yo La Tengo - I Am Not Afraid You and I Will Beat Your Ass
The Rapture - Pieces of The People We Love
Ok, that's all for now.
Good
Sunday, September 03, 2006
Saturday, September 02, 2006
Long island. It's kind of
Long island. It's kind of a boring place, especially ocean front during a hurricane. Not much happening except roving hangs of Russian children.